V series
Cut letterpress prints, colored pencil, acrylic, rose petals, printed fabric and handmade paper (with laminated lamb heart) on canvas.
24 x 30 inches
2020
$650
Cut letterpress prints, colored pencil, acrylic, printed fabric and handmade paper on canvas.
24 x 30 inches
2020
Cut letterpress prints, colored pencil, acrylic, menstrual blood, rose petals, and handmade paper on canvas
30 x 30 inches
2020
$750
Cut letterpress prints, acrylic, menstrual blood and crushed rose petals on canvas.
18 x 24 inches
2020
$500
Acrylic, rose petals and cut letterpress prints on Samoan fabric and denim on canvas.
18 x 24 inches
2020
Cut letterpress prints, acrylic, collage, menstrual blood, and handmade papers with rose petals on canvas.
18 x 24 inches
2020
Cut letterpress prints, colored pencil, and acrylic with rose petals on handmade paper on canvas.
2020
Cut letterpress prints, colored pencil, paint marker, letterpress printed book cloth, and fabric on canvas
18 x 24 inches
2020
$600
Cut letterpress prints, acrylic and colored pencil with rose petals on Trini fabric on canvas.
18 x 24 inches
2020
Cut letterpress prints, acrylic, colored pencil, menstrual blood, rubber ink and linocut prints on handmade paper with rose petals, lavender and flax on canvas
18 x 24 inches
2020
$400
Colored pencil and acrylic on letterpress printed denim and decorative papers on board
18 x 24 inches
2020
Acrylic, decorative and handmade papers, glow in the dark paint, rose petals, ribbon and ephemera on canvas
24 x 36 inches
2020
$700
Colored pencil, letterpress prints, decorative and handmade papers on board.
18 x 24 inches
2019
The V series is a hybrid of Fegan’s past figurative portrait works, and her long running Lavender Menace Poster Project (2014 - 2019). In this series of portraits, Fegan composes the figure out of repurposed letterpress posters from her archive, while building grounds through the incorporation of recurring materials from her practice, such as: rose petals, menstrual blood, scraps of recycled denim handmade paper and studio scrap. These works include allusion to witchcraft and/or the chemical processes involved in both printing and hand papermaking. The result is a love letter to the bodies that occupy the intersectional space of the multiple political issues addressed in the print work.